This body of work emerged from an engagement with forms rooted in the past, yet whose presence in the present can no longer be taken for granted. Rather than revisiting history, these works reconsider structures whose meaning and stability have shifted over time.
The forms within this series originate from a familiar visual order, yet they refuse to remain fixed within it. What first appears as an established structure gradually begins to unravel. Through repetition, displacement, and subtle shifts in proportion, these forms move away from certainty and enter a more ambiguous state.
Geometry is not employed here as a system of precision, but as a field of inquiry. Symmetries remain incomplete, lines occasionally diverge from their expected paths, and surfaces settle into states of instability. These gradual transformations distance each form from its original equilibrium, placing it in a condition of uncertainty.
Within this process, traces of the sacred continue to persist, though no longer as immutable truths. They remain instead as echoes—fragments of memory whose outlines endure while their meaning and position become increasingly elusive. An order that once promised permanence now reveals its fragility when confronted with contemporary experience.
This series does not seek to reconstruct or revive the past. Instead, it focuses on the moment when form begins to relinquish certainty—a space suspended between order and disorder, where meaning is no longer fixed and form itself becomes a site of questioning.